Empty Rooms

A little while back, maybe weeks ago, maybe months (what is time anymore?), I began collecting images of empty rooms. Read the rest of this entry »

A little while back, maybe weeks ago, maybe months (what is time anymore?), I began collecting images of empty rooms. Read the rest of this entry »

The good hotel room is, in fact, the city’s paradigm: it provides everything you really need, and no more. The rest is out there; your dining room the city’s restaurants, your garden the city’s parks, your transport a bus or taxi or hire-car. It achieves in a positive way what so many societies try to do negatively, through commune or kibbutz: it removes the need for useless possessions. Positive, because it offers you a secret private life as well – for the possessions which really matter. How much do you really – really – need to own, continuously? Love, a sense of humour and the understanding which makes conversation into a genuine meeting instead of a pair of blind projections – they take no room at all. A crucifix, pet teddy-bear, half a dozen books take very little. The rest the city can provide, when you want them. That’s it’s job.

Lockdown inevitably means changes in habits and routines. I know some people are drinking more, some not at all. I guess it’s all just a bit different. Pubs closed. Trying times. Everything essentially a bit…odd.
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So much distance is meant by it:
just as with the backdrop of a scene
the world is meant; and as through that scene
the hero strides, cloaked in his action’s mantle: —so the darkness of this doorway strides acting
onto the tragic theater of its depths,
as boundlessly and seething as God the Father
and just as He transforming wondrouslyinto a Son, who is distributed here
among many small, almost unspeaking roles,
all taken from misery’s repertoire.For it’s only (this we know) from
the blind, the cast-out, and the mad
that, like a great actor, the Saviour emerges.
Excerpt from The Portal, Rainer Maria Rilke, trans. Edward Snow