The Modern Generation In Paris
I think you could make a pretty strong case for Never Too Much from Luther Vandross being the perfect pop song. The best pop music is rooted in soul, soul in the broadest sense of the word. Pop music should be catchy, make your day better, but it also needs to be underpinned by something more, something impossible to properly define, yet you know it when you hear it. There needs to be an otherness, a magic. Read the rest of this entry »
I remember as a kid we only had the four channels and I was incredibly envious when I saw those features on TV about how Americans have thousands of channels to choose from. Even if there was nothing on, as was inevitably said, just imagine that choice – surely better to have loads of channels to not watch than just a handful? Read the rest of this entry »

After very nearly six years this post is the 500th on the blog. A small achievement and probably also a bit of a daft one. It is only a number. Why didn’t I celebrate the 431st post? Or the 497th? Read the rest of this entry »
Daryl Hall, one half of soft rock/yacht rock/generally smooth guys Hall and Oates, gets together with King Crimson guitarist Robert Fripp in 1977 and records a weird, sonically challenging album. RCA Records shelve the album, as while it is pretty catchy, it is also strange enough to potentially scare off the legions of Hall and Oates fans. The album, Sacred Songs, is finally released in 1980. And there’s your context. Read the rest of this entry »