The return of Frank Bascombe
by Steve
Potentially rather exciting news for fans of Richard Ford with reports of him reading from a new Frank Bascombe story. Ford has written three books focusing on the character, and I am a huge fan of them.
Ford had said in the past that he wouldn’t revisit the Frank Bascombe character after the third book, The Lay of the Land, so him reading from a short story called Falling Forward is a reasonably big surprise, at least in your standard literary circles. The story apparently chronicles Frank aged 67 and covers the period around Hurricane Sandy hitting the east coast of the US.
I remember reading that Ford hadn’t even intended to write a sequel to the first Bascombe book, The Sportswriter, but Independence Day sort of evolved into that role when he realised his protagonist was actually turning into Frank Bascombe. I guess this could well have been the case here again, that the story only worked when he slotted his most well-known character into events.
It is also interesting that Ford is now willing to tackle a major recent event through the eyes of Bascombe. The Lay of the Land was written and published in the first decade of this century, yet in being set in 2000 managed to avoid handling 9/11 and its aftermath, although in a vague fashion it felt like those events still hung over the book, even if just in their absence. By attaching a tale to a major event, when actively swerving that approach in the past, perhaps Ford is taking his character, and the way he tells his story about that character, in a slightly different direction.
I hope Falling Forward sees the light of day soon, and I also hope that it is the start of a new Frank Bascombe book, as I can’t think of a recent fictional character I’d like to see return more. Ford has documented the last 30 odd-years through this character, and it would be fascinating to read his take on life today.
Image from The End of the Internet, via Flickr
The Americans, By Robert FrankMy first copy of this, was a free give away with a subscription to the glssoy Conde9 Nast magazine, Vanity Fair. I still have the battered paperback copy and although I have bought the hardback and the expanded version since, I prefer my first view of the book. Not surprisingly those Vanity Fair’s have long since hit the recycling bin. The book, to me, transcends the idea of it being a photobook, mostly because it’s so important, it’s not about photography any more. It’s called The Americans and that’s what it is a book about America and the American people in the 1950s. To me there is no complicated story behind the images, there’s no nuanced discussions on photography techniques or colour reproduction, yet it seems to sum up a whole decade in 83 pictures.I love the idea that is was considered controversial and derogatory at the time yet today it’s considered a great documentary of America’s most important time. Nice work Robert, your can take your place up there with Woody Guthrie, Bob Dylan and Bruce Springsteen in my book!
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